Stokes was asked by many people "Who is the girl who was the
inspiration?" He answered it was no one in particular. "The
'Sweetheart' is the symbol for the spiritual ingredient in brotherhood. It was
the Sigma Chi Fraternity itself that inspired the song. I wrote the words not
long after my initiation, and the magic of our Ritual with its poetic overtones
and undertones was, I suppose, the source of my inspiration."
There were a number of other spin-off songs written in honor of the Sweetheart including The Daughter of the Sweetheart of Sigma Chi, The Rose of Sigma Chi, Our Brown Eyed Sweetheart and My Sweetheart.
Stokes later served Sigma Chi during the years 1916-1920 as Executive Secretary, Grand Editor, and Grand Historian, and retired in Pasadena, California. Vernor was organist for the Metropolitan Methodist Church in Detroit for over 50 years. Ironically, although the two collaborated on this classic song while undergraduates, they never saw each other after college: "Our paths simply have never crossed," Vernor said in 1955. However, the two collaborated on at least two other Sigma Chi songs: The Fellowship Song and I'm Glad I'm a Sigma Chi; the latter was dedicated to Sigma Chi Brothers who fought in World War I. Both died in 1974, Vernor at the age of 81 and Stokes at the age of 87.
Almost as popular as Waring's recording was one by Gene
Austin, born in Gainesville, Texas in 1900
and began his entertainment career in vaudeville. When he gained nationwide
popularity in 1925, he was known as "The Voice of the Southland." His
recording of "My Blue Heaven," the biggest-selling, non-holiday song
before rock and roll, was popular at the same time as his version of "The
Sweetheart of Sigma Chi."
Others that did recordings of the Sweetheart were Dean Martin, Ames
Brothers, Lettermen, Robert Merrill and the Mormon Tabernacle
Choir.
In 1946, another movie musical The Sweetheart of Sigma Chi was released. It starred Marjorie Ann Hoerner, the Sweetheart of Alpha Epsilon Chapter. Although the song was sung in the film by Phil Brito and played in the background, another song from the film became a number one hit for Frank Sinatra: "Five Minutes More."